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This LLCIS Research Lab website provides a backup version of Confluence Journal's official platform hosted and indexed by IMIST-CNRST
Linguistic, Literary, Cultural & Interdisciplinary Studies
Linguistic, Literary, Cultural & Interdisciplinary Studies
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Where The Storyteller Speaks: An Interview with Mohammed Mrabet

Backup copy. This page is kept by the LLCIS Research Laboratory as a backup of Confluence Journal of Multidisciplinary Studies. The official version of record is published on the journal’s platform, hosted and indexed by IMIST-CNRST: https://journals.imist.ma/index.php/confluence/article/view/6738.

  • Inass EssrhirAbdelmalek Essaadi University
PDF (backup copy)Official version on IMISTDOI
Journal
Confluence Journal of Multidisciplinary Studies (e-ISSN 3085-5411)
Issue
Vol. 2 No. 2 (2026): Voices of Morocco: Perspectives on Contemporary Moroccan Literature
Section
Interviews
Pages
113-119
Published
27 February 2026
DOI
https://doi.org/10.34874/PRSM.cjms-vol2iss2.6738
License
Creative Commons Attribution 4.0 International (CC BY 4.0)
Copyright (c) 2026 Inass Essrhir

Abstract

This interview presents a vivid portrait of the personal and artistic journey of Moroccan storyteller Mohammed Mrabet, with photographs captured during the encounter. His narration is spontaneous and genuine, creating unscripted tales that unfold like “fish gliding through water.” More importantly, this interview examines Mrabet’s complex yet remarkable collaboration with American writer Paul Bowles, reflecting on tensions around translation, authorship, and linguistic mediation. Mrabet further asserts his authorial voice and creative agency, acknowledging Bowles’s role as a translator who converted his Darija stories into English. Besides defending his authorship, the Moroccan storyteller also clarifies misconceptions about his books’ autobiographical dimension and highlights kif’s role in allowing him a more measured, imaginative storytelling stream. Beyond their artistic value, Mrabet’s stories preserve vital elements of Moroccan intangible heritage, affording a close-up view into Tangier’s daily life and culture. Yet, he shows frustration with waning public interest in oral storytelling and the lack of recognition within Morocco. The interview concludes with Mrabet’s reveal of untranslated stories awaiting preservation and his modest prayer for a peaceful death: a profound contemplation on artistic legacy and mortality.

Keywords

storytellingoral traditionTangierTranslationPreservation

Works Cited (2)
  1. Bill. Letter to Mohammed Mrabet. 16 May 1974.
  2. Mohammed Mrabet Correspondence, Reviews, and Other Material, 1974-1989. University of Delaware Library, Special Collections, MSS 0674, box 1, folder 4.
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© 2026 Linguistic, Literary, Cultural & Interdisciplinary Studies

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